Art

Dubai’s Quoz Arts Festival witnessed an extraordinary artistic intervention as ENESS, the acclaimed Melbourne-based art and design studio, transformed the façade of the Concrete building with a monumental illuminated installation made of inflatables. As part of the Forest Dancer exhibition – an extension of FRAME Awards Exhibition of the Year 2024, Modern Guru and the Path to Artificial Happiness – the 29.5-foot-tall archway captivated audiences, happily merging art with architecture. This ephemeral yet striking transformation reimagined the renowned venue, originally designed by Rem Koolhaas’s OMA, through a series of interconnected, soft-edged arches. These oversized forms played with scale and perspective, their fleshy, organic curves appearing both solid and transient. The result was a thought-provoking dialogue between the built environment and the temporary nature of artistic expression. As visitors moved through the cascading arches, they encountered intricate material details, including a pixelated motif embedded with oversized floral prints in an 8-bit aesthetic. This fusion of digital and tactile elements reflected ENESS’s innovative approach to creating immersive experiences that challenge traditional perceptions of space and design. “Our work extends beyond galleries and museums; it integrates into the fabric of everyday life,” says ENESS founder Nimrod Weis. “By engaging directly with the existing architecture, we craft pieces that converse with their surroundings while standing as independent artworks.” At the heart of the broader Forest Dancer exhibition stood a towering 26-foot-tall figure, serving as an emblem of connection and play. The installations within the exhibition, including Whispering Mountains and Stick Insects, fostered interaction, encouraging visitors to engage with art in ways that sparked creativity and connection among strangers, friends, and families alike. One of the most enchanting aspects of the exhibition was the skirt-like dome enveloping an interactive space where visitors could recline on LED-eyed beanbags, immersed in an ever-shifting landscape of light and sound. This sensory haven encouraged introspection and a respite from the digital noise that dominates contemporary life. Spanning over 6,458 square feet, the exhibition showcases the crucial role of creativity in countering societal challenges, from the isolating effects of technology to global tensions. By situating art as a vehicle for human connection and contemplation, ENESS delivered a compelling statement on the necessity of shared experiences in today’s world. The Quoz Arts Festival, a vibrant annual event set in Alserkal Avenue’s artistic district, served as the perfect backdrop for this vibrant installation. With Forest Dancer as its centerpiece, ENESS reinforced the power of public art to inspire and unite communities, urging audiences to embrace creative expression in their own lives. Following its success in Dubai, Forest Dancer and its accompanying exhibition Modern Guru and the Path to Artificial Happiness continue to traverse the globe, bringing their dynamic fusion of art, light, and interactivity to audiences in multiple countries. For more information on ENESS, visit eness.com. Photography by Ismail Noor, Seeing Things Studio.

Ultra-expressive beauty is having a moment. While the air feels reminiscent to many of anti-establishment beauty eras bygone, this time, one thing is clear: the movement looks different on everyone.

The designer's appreciation for India’s aesthetic and artistic traditions was the inspiration for the Ahilya Fort Heritage Hotel's annual event.

For those who have been waiting for another paint-a-long video, this post is for you! I am going to film painting a few of my index cards since they are great little studies for beginners, those new to oil paints, or those who want to do a little painting exercise with me. For this card, […] The post #indexcardartpoject 2025 | free oil painting video tutorial | card “c” appeared first on Miss Mustard Seed.

punksalmon: something about absences

A new month means a fresh Designer Desktop! This time, we’re heading across the pond to feature UK-based multi-disciplinary artist Lois O’Hara, whose modern, organic style is all about fluidity and movement. Drawing inspiration from nature’s ever-changing forms and its positive effect on our well-being, O’Hara’s work bursts with dynamic color combinations, playful patterns, and joyful compositions. She has collaborated with brands like Kohler and adidas, with public installations showcased at Clerkenwell Design Week and Grand Designs Live. As the seasons shifts, O’Hara’s desktop design invites a sense of positivity and calm to our screens – just what we need for a fresh start. Download the wallpapers for free with the links below for all your tech devices today! DESKTOP: 1024×768 1280×1024 1680×1050 1900×1200 2560×1440 Check out some of Lois O’Hara’s other work: Learn more about Lois O’Hara here. View and download past Designer Desktops here.

Sandra Jackson-Dumont will step down as director and CEO of the Lucas Museum of Narrative Art on April 1, founders George Lucas and Mellody Hobson announced Friday. The leadership role will be split into two: Lucas will oversee content direction, while former Paramount and 20th Century Fox CEO Jim Gianopulos will serve as interim CEO. A search for a permanent CEO is currently happening as per Artnews. Jackson-Dumont’s exit follows the museum’s third opening delay, now set for 2026. She joined in 2019 and expanded the museum’s collection, including acquiring Robert Colescott’s George Washington Carver Crossing the Delaware River for $15.3 million USD. The museum, in development for over a decade, plans to showcase visual storytelling across mediums drawn from Lucas’s personal collection and the Separate Cinema Archive. Lucas and Hobson have not revealed whether additional leadership changes are planned. Click here to view full gallery at Hypebeast

This article is written by a student writer from the Her Campus at Ithaca chapter. From creating fashion statements to being emotionally expressive, meet the girl who reflects her wardrobe in the mirror. Less Jart is a Chinese visual artist based in Berlin, Germany, where she designs and sells her “Art to Wear” collection. Her vibrant and stylish patterns have garnered attention on social media platforms, especially Instagram, where fashion accounts like Outlander Magazine have recognized her talent. A whole post was devoted to her artistry, showcasing her passion for fashion and drawing. In the post, her unique outfits are created based on emotion and experiences while drawing them on the mirror. Each outfit is tailored to a different color hue and shows intricate details throughout each piece. The essence of capturing a different vibe is shown within the pieces, even down to the facial expression she uses for each piece. Using contrasting basics like a colorful skirt over the pants adds texture and layers, elevating the look while not overshadowing the pieces on the mirror. Her creative process begins with the outfit itself. First, she carefully curates her look, selecting garments that embody a specific feeling or experience. Then, she brings out her paints, using the mirror as her canvas to extend and transform her outfit into a complete work of art. The result is a seamless fusion of physical fashion and artistic expression, where clothing and illustration blur into one. Beyond aesthetics, her work resonates deeply with audiences. By embracing interpretive fashion, she challenges traditional notions of self-presentation, encouraging others to see clothing as more than just fabric—it’s a storytelling medium. Her art has inspired countless individuals to experiment with personal style, pushing them to use fashion for self-reflection and creative exploration. In an era where personal identity constantly evolves, interpretive fashion allows for deeper emotional expression, adding to the broader narrative of individuality and artistic freedom. Through her mirror-painted outfits, Less Jart isn’t just making fashion statements—she’s redefining the way we engage with clothing, proving that style is not just about what we wear but how we express who we are. Let’s dive into these pieces! Look 1 View this post on Instagram A post shared by less.jart (@95fuxx) This outfit combines avant-garde and edgy elements. It features a boldly printed long-sleeve top, deep-colored velvet pants, and a striking asymmetrical white wrap with red abstract designs. Look 2 View this post on Instagram A post shared by less.jart (@95fuxx) A glossy black blazer cinched at the waist, a sharp pink collared shirt with a matching tie, and a surreal printed midi skirt in fiery tones complete the ensemble. Sleek black boots and a fur-trimmed handbag elevate the ensemble, creating a bold fusion of power dressing and artistic expression. Look 3 View this post on Instagram A post shared by less.jart (@95fuxx) This look features a light blue button-up shirt paired with a vibrant, artistic skirt featuring a striking print that blends traditional and contemporary elements. The outfit is completed with sleek black heels, creating a chic and sophisticated appearance that highlights creativity and style. The post Mirror, Mirror, on the Wall, Meet the Girl Who Paints Her Style for All first appeared on Her Campus.

Fundación Juan March in Madrid has launched ‘It Must Be Seen. The Autonomy of Color in Abstract Art,’ on view until June 8, 2025. The exhibition, which opened on February 28, features works by Felipe Pantone, including ‘Subtractive Variability Circular 43’ and the site-specific ‘Chromadynamica Transvelum’. The latter, a UV ink on fabric piece measuring seven by four meters, spans the main staircase, creating a striking interplay of light and color. Curated by Manuel Fontán del Junco and María Zozaya Álvarez, with input from David Batchelor and Paul Smith, the exhibition highlights pioneers of color theory like Piet Mondrian, Josef Albers, and Yves Klein. It also includes key figures in minimalism and geometric abstraction, such as Frank Stella, Bridget Riley, Donald Judd, Sol LeWitt, Jose María Yturralde, and Richard Serra, alongside artists exploring color perception, including Olafur Eliasson, Carlos Cruz-Díez, Anish Kapoor, Peter Halley, Ugo Rondinone, and Dan Flavin. Fundación Juan March Calle de Castelló, 77 Salamanca, Madrid 28006 Spain Click here to view full gallery at Hypebeast

Each Uniq Volumetric puzzle is made from soft PVC and molded into sculptural pieces. The first three puzzles feature curvy, organic shapes and 30 to 70 pieces each. The finished puzzles measure about 8″ x 12″ and come with a kickstand frame for display. Choose from Phantom, Timber, or Froth designs, as well as a 3-puzzle box set.

Old Shed/Outhouse with Misc Junk — Photo-artistry by kenne Photo from the past Old Shed/Outhouse with Misc Junk Art takes many forms — kenne

We’d like you to look at one piece of art for 10 minutes, uninterrupted.